Mostrando entradas con la etiqueta VSTi. Mostrar todas las entradas
Mostrando entradas con la etiqueta VSTi. Mostrar todas las entradas

viernes, 26 de noviembre de 2010

H. E. Audio Acoustic Guitar-Steel VSTi Standalone 1.1


H. E. Audio Acoustic Guitar-Steel VSTi Standalone 1.1 | 1.17 GB


Acoustic Guitar (Steel) is described as "very simple and convenient, and is easy to operate even for users who are not familiar with guitar".

Features:

* Two types are available: Pick version and Finger version.
* All the guitar playing skills can be fulfilled and displayed on the Main page of guitar interface.
* Many guitar playing skills have been represented authentically, including: Standard, Natural Harmonic, various sliding sounds, chords and finger noises.
* All the sounds are sampled authentically from top musical instruments and acclaimed recording equipments.
* Simple and convenient single-track editing modes realize that full functionality can be achieved within one MIDI Channel.
* Complete guitar Attack time and adjustable function of Start Time, which retains the integrity of every note and precision of performance.
* Exclusive rhombic sampling design means that in often-used range and velocity, sampling density will increase, otherwise reduce.
* Technique for same pitch circulation (robin) makes that each pitch of guitar has different circular timbre.
* Tutorial video is available.
* Background noise is low, and the sampling process is extremely precise.

Equipment used during Sample Recording:

* Lead Mic:AKG-C12VR.
* Front Mic:Sony 800G.
* Stereo Mic:Schoeps mk4.
* Back Mic:Neumann u87.
* Acoustic Field Mic:Schoeps mk4.
* ADDA:Prism Sound ADA – 8XR.
* MIX:NEVE 88R.
* Recording Bit Depth & Resolution:24Bit 96Khz.
* Guitar Used:Kevin Ryan Guitar.
* Recording Environment:CCTV 480M2 Studio.

H. E. Audio Acoustic Guitar-Steel VSTi Standalone 1.1


H. E. Audio Acoustic Guitar-Steel VSTi Standalone 1.1 | 1.17 GB


Acoustic Guitar (Steel) is described as "very simple and convenient, and is easy to operate even for users who are not familiar with guitar".

Features:

* Two types are available: Pick version and Finger version.
* All the guitar playing skills can be fulfilled and displayed on the Main page of guitar interface.
* Many guitar playing skills have been represented authentically, including: Standard, Natural Harmonic, various sliding sounds, chords and finger noises.
* All the sounds are sampled authentically from top musical instruments and acclaimed recording equipments.
* Simple and convenient single-track editing modes realize that full functionality can be achieved within one MIDI Channel.
* Complete guitar Attack time and adjustable function of Start Time, which retains the integrity of every note and precision of performance.
* Exclusive rhombic sampling design means that in often-used range and velocity, sampling density will increase, otherwise reduce.
* Technique for same pitch circulation (robin) makes that each pitch of guitar has different circular timbre.
* Tutorial video is available.
* Background noise is low, and the sampling process is extremely precise.

Equipment used during Sample Recording:

* Lead Mic:AKG-C12VR.
* Front Mic:Sony 800G.
* Stereo Mic:Schoeps mk4.
* Back Mic:Neumann u87.
* Acoustic Field Mic:Schoeps mk4.
* ADDA:Prism Sound ADA – 8XR.
* MIX:NEVE 88R.
* Recording Bit Depth & Resolution:24Bit 96Khz.
* Guitar Used:Kevin Ryan Guitar.
* Recording Environment:CCTV 480M2 Studio.

miércoles, 24 de marzo de 2010

ELAB Obsession VSTi AU Hybrid DVDR - DELiRiUM | PC/MAC


ELAB Obsession VSTi AU Hybrid DVDR - DELiRiUM | PC/MAC | 3.58 GB

With the blurring of lines between software instruments and CD sample libraries, a new class of instrument seems to have emerged, dedicated not to a particular type of synthesis or sound, but to specific genres of music. One of the best examples of this comes from the Swedish company e-LAB, in the form of Obsession – a VSTi/Audio Units plug-in sample player offering you “smooth and sexy R‘n’B and hip hop sounds with Neptunian beats, hyperactive Timbalandish grooves and smooth, lounging MPC loops”.

Based on e-LABs unique i.v.i. engine, OBSESSION defines new standards for loopbased Virtual Instruments, giving you total tempo independance, creative freedom with separated drum loop parts and realtime playback control, effectively removing all limitations of handling drumloops.

3.7 GB RnB & HipHop sound library.

Neptunian Live-style beats, hyperactive Timbalandish grooves and smooth and lounging MPC loops. All specifically recorded and produced for Obsession. 3000 drumloops, 5000 drumsamples with the possibility to import external Rex2 files. 8 tracks of simultaneous drumloop playback with an interactive groove system enabling millions of loop combinations. To access professional mixing and editing you get kick, snare, hihat, etc on individual tracks, routed through 8 adressable synthesizers/stereo outputs. To retain state of the art sound quality and realtime tempo stretching of all drumloop parts into any BPM, the i.v.i. engine uses Propellerhead 24 bit Rex2 format.

Three easy-to-use playback modes for truly interactive loop playback.
Preview mode (PRE) with immediate tempo-sync to sequenser; Miditrig mode (TRIG) for intuitive looptriggering with a keyboard and Midifile playback (MIDI) for total groove control of the loop parts.

Flexible stepbutton loading, makes changing loops & sounds a breeze.

Smart sound file selector with an open architecture - import files and access other i.v.i. sound librares.
Flexible editing functions for each individual drumloop track: Volume, Pan, Mute, Solo and Tuning - with adressable stereo outputs.

Extensive loop editing control with 8 separate synthesizer engines: Multimode Resonant Filters (HP, BP, LP); ADSR on both Amp. and Modulation Env; open architechture Modulation Matrix (LFO, Env, Velocity, Mod. Wheel, Filter, Pitch, Pan, Resonance, etc).
Total recall with host on all parameters.
Host automation on 144 parameters.Low CPU Usage - run multiple Obsessions.



ELAB Obsession VSTi AU Hybrid DVDR - DELiRiUM | PC/MAC


ELAB Obsession VSTi AU Hybrid DVDR - DELiRiUM | PC/MAC | 3.58 GB

With the blurring of lines between software instruments and CD sample libraries, a new class of instrument seems to have emerged, dedicated not to a particular type of synthesis or sound, but to specific genres of music. One of the best examples of this comes from the Swedish company e-LAB, in the form of Obsession – a VSTi/Audio Units plug-in sample player offering you “smooth and sexy R‘n’B and hip hop sounds with Neptunian beats, hyperactive Timbalandish grooves and smooth, lounging MPC loops”.

Based on e-LABs unique i.v.i. engine, OBSESSION defines new standards for loopbased Virtual Instruments, giving you total tempo independance, creative freedom with separated drum loop parts and realtime playback control, effectively removing all limitations of handling drumloops.

3.7 GB RnB & HipHop sound library.

Neptunian Live-style beats, hyperactive Timbalandish grooves and smooth and lounging MPC loops. All specifically recorded and produced for Obsession. 3000 drumloops, 5000 drumsamples with the possibility to import external Rex2 files. 8 tracks of simultaneous drumloop playback with an interactive groove system enabling millions of loop combinations. To access professional mixing and editing you get kick, snare, hihat, etc on individual tracks, routed through 8 adressable synthesizers/stereo outputs. To retain state of the art sound quality and realtime tempo stretching of all drumloop parts into any BPM, the i.v.i. engine uses Propellerhead 24 bit Rex2 format.

Three easy-to-use playback modes for truly interactive loop playback.
Preview mode (PRE) with immediate tempo-sync to sequenser; Miditrig mode (TRIG) for intuitive looptriggering with a keyboard and Midifile playback (MIDI) for total groove control of the loop parts.

Flexible stepbutton loading, makes changing loops & sounds a breeze.

Smart sound file selector with an open architecture - import files and access other i.v.i. sound librares.
Flexible editing functions for each individual drumloop track: Volume, Pan, Mute, Solo and Tuning - with adressable stereo outputs.

Extensive loop editing control with 8 separate synthesizer engines: Multimode Resonant Filters (HP, BP, LP); ADSR on both Amp. and Modulation Env; open architechture Modulation Matrix (LFO, Env, Velocity, Mod. Wheel, Filter, Pitch, Pan, Resonance, etc).
Total recall with host on all parameters.
Host automation on 144 parameters.Low CPU Usage - run multiple Obsessions.



lunes, 28 de diciembre de 2009

Sonart Audio Jazz Pop Brass Horns v1 To v9 MultiFormat


Sonart Audio Jazz Pop Brass Horns v1 To v9 MultiFormat | 6.3 GB
Featuring over 115,150 24bit samples & 1400 Patches! More than 60.4 Gb of New Jazz Instruments!
Rapidshare:

http://rapidshare.com/files/326905642/SA.JazzPop-.part01.rar
http://rapidshare.com/files/326906162/SA.JazzPop-.part02.rar
http://rapidshare.com/files/326908321/SA.JazzPop-.part03.rar
http://rapidshare.com/files/326906932/SA.JazzPop-.part04.rar
http://rapidshare.com/files/326905231/SA.JazzPop-.part05.rar
http://rapidshare.com/files/326904998/SA.JazzPop-.part06.rar
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http://rapidshare.com/files/326903018/SA.JazzPop-.part63.rar
http://rapidshare.com/files/326907549/SA.JazzPop-.part64.rar

Netload:
http://netload.in/dateiRnxZSnV1Og/SA.JazzPop-.part64.rar.htm
http://netload.in/dateiCgdRidDXf7/SA.JazzPop-.part63.rar.htm
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http://netload.in/dateiNqYIGb258K/SA.JazzPop-.part02.rar.htm
http://netload.in/dateit6HIm3pkuu/SA.JazzPop-.part01.rar.htm


pass - digul.net

Sonart Audio Jazz Pop Brass Horns v1 To v9 MultiFormat


Sonart Audio Jazz Pop Brass Horns v1 To v9 MultiFormat | 6.3 GB
Featuring over 115,150 24bit samples & 1400 Patches! More than 60.4 Gb of New Jazz Instruments!
Rapidshare:

http://rapidshare.com/files/326905642/SA.JazzPop-.part01.rar
http://rapidshare.com/files/326906162/SA.JazzPop-.part02.rar
http://rapidshare.com/files/326908321/SA.JazzPop-.part03.rar
http://rapidshare.com/files/326906932/SA.JazzPop-.part04.rar
http://rapidshare.com/files/326905231/SA.JazzPop-.part05.rar
http://rapidshare.com/files/326904998/SA.JazzPop-.part06.rar
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http://rapidshare.com/files/326904321/SA.JazzPop-.part08.rar
http://rapidshare.com/files/326906441/SA.JazzPop-.part09.rar
http://rapidshare.com/files/326906898/SA.JazzPop-.part10.rar
http://rapidshare.com/files/326907759/SA.JazzPop-.part11.rar
http://rapidshare.com/files/326905997/SA.JazzPop-.part12.rar
http://rapidshare.com/files/326902199/SA.JazzPop-.part13.rar
http://rapidshare.com/files/326904655/SA.JazzPop-.part14.rar
http://rapidshare.com/files/326902008/SA.JazzPop-.part15.rar
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http://rapidshare.com/files/326907025/SA.JazzPop-.part17.rar
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http://rapidshare.com/files/326908728/SA.JazzPop-.part20.rar
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http://rapidshare.com/files/326903018/SA.JazzPop-.part63.rar
http://rapidshare.com/files/326907549/SA.JazzPop-.part64.rar

Netload:
http://netload.in/dateiRnxZSnV1Og/SA.JazzPop-.part64.rar.htm
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pass - digul.net

Garritan Orchestral Strings - GIGA


Garritan Orchestral Strings - GIGA | 5.1 GB
The manual supplied with GOS is practically a work of art on its own, supplied in a ringbound folder containing the discs and an extensive, well-written, and beautifully printed guide to navigating and using the library. It also provides great insight into the creation of the library with commendable openness and honesty. As an added touch, the front page of the manual is custom printed with the name of the Maestro (the ego-indulgent title attached to GOS users) who purchased the library.

The library itself is divided into three categories: 'Long Bows', 'Short Bows' and 'Additional Techniques'. As you would expect, the violins have the most variations (including up- and down-bow versions of the 'short bow' techniques, détaché, portato, marcato, martelé, sautillé, spiccato, and staccato), but the other sections aren't far behind. In fact, though there are no chords, melodic phrases, grace notes, or runs, the number of styles still far exceeds any other string library on the market.
Although the ability to stream large samples from disk is the most publicised GigaSampler/Studio feature, the developers have implemented some comprehensive modulation possibilities that GOS makes full use of. The velocity switching patches (VEL) work as expected, with some of the pizzicato patches offering a fantastic sounding Bartok 'snap' pizzicato when played really hard. However, to create realism in other areas such as dynamics (EXP), and vibrato (VIB), GOS employs GigaStudio's ability to crossfade samples with the modulation wheel. With an EXP patch loaded, moving the modulation wheel crossfades between the different dynamic layers, allowing you to create more realistic crescendos and diminuendos, instead of simply making a single sample play back louder or softer. With a VIB patch, the same trick is used to crossfade between non-vibrato and vibrato samples. And, if this wasn't enough, additional X-FADE patches allow you to crossfade between other articulation combinations; for example, crossfading between loose and tight pizzicato is really cool.

Garritan Orchestral Strings - GIGA


Garritan Orchestral Strings - GIGA | 5.1 GB
The manual supplied with GOS is practically a work of art on its own, supplied in a ringbound folder containing the discs and an extensive, well-written, and beautifully printed guide to navigating and using the library. It also provides great insight into the creation of the library with commendable openness and honesty. As an added touch, the front page of the manual is custom printed with the name of the Maestro (the ego-indulgent title attached to GOS users) who purchased the library.

The library itself is divided into three categories: 'Long Bows', 'Short Bows' and 'Additional Techniques'. As you would expect, the violins have the most variations (including up- and down-bow versions of the 'short bow' techniques, détaché, portato, marcato, martelé, sautillé, spiccato, and staccato), but the other sections aren't far behind. In fact, though there are no chords, melodic phrases, grace notes, or runs, the number of styles still far exceeds any other string library on the market.
Although the ability to stream large samples from disk is the most publicised GigaSampler/Studio feature, the developers have implemented some comprehensive modulation possibilities that GOS makes full use of. The velocity switching patches (VEL) work as expected, with some of the pizzicato patches offering a fantastic sounding Bartok 'snap' pizzicato when played really hard. However, to create realism in other areas such as dynamics (EXP), and vibrato (VIB), GOS employs GigaStudio's ability to crossfade samples with the modulation wheel. With an EXP patch loaded, moving the modulation wheel crossfades between the different dynamic layers, allowing you to create more realistic crescendos and diminuendos, instead of simply making a single sample play back louder or softer. With a VIB patch, the same trick is used to crossfade between non-vibrato and vibrato samples. And, if this wasn't enough, additional X-FADE patches allow you to crossfade between other articulation combinations; for example, crossfading between loose and tight pizzicato is really cool.

domingo, 27 de diciembre de 2009

Heavyocity Evolve VSTi/DXi/RTAS | PC/MAC




Heavyocity Evolve
VSTi/DXi/RTAS | PC/MAC | RS & HF | 6GB
Created by the TV and video game composers from Heavy Melody Music & Sound Design, Evolve is a virtual instrument powered by Native Instruments' Kontakt 2 Player. With an emphasis on the dramatic, it is geared toward film and game audio, as well as artist production and live performance. Sonically, Evolve doesn't just contain the typical sounds that form the foundation of most composers' setups. Instead, it accentuates them with a powerful combination of diverse percussion, massive stings/transitions and evocative tonalities in ways that have "never been heard before".

Evolve's signature collection features:
* 600+ beat-sliced loops strategically key-mapped into 7 genre-specific suites.
* 60 sequenced and arpeggiated percussive and tonal instruments.
* 75+ modern percussion kits and instruments.
* 45+ sting and transitional instruments.
* 250+ tonal instruments and FX.
* 3 custom scripted interfaces.
* Nearly 6 gigabytes containing 3,900+ 24/16 bit samples.
* Powerful user control features.
* Intuitive key-mapping systems.
* Enhanced creativity and productivity.



•Powered by NI Kontakt 2 Player Engine
- AU, VST, DXI, RTAS, Standalone
•Minimum System Requirements:
- Mac G4 1.4gHz, OS 10.4.x, 512 MB RAM, DVD Drive
- PC Windows XP SP2 or Vista, 1.4gHz, 512 MB RAM, DVD Drive

mORE iNFO
_http://www.heavyocity.com/Evolve/


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