Image Line - Toxic Biohazard 1.0

Toxic Biohazard features a hybrid synthesis engine, combining the best of FM and Subtractive synthesis.
With the addition of a warm, analog-modeled filter and set of built-in effects, the
Toxic concept remains one of convenience, simplicity, and superb sound quality.

The FM technology

One of the 'warmest', crisp, and clear Frequency Modulation engines in the world, owes its sound to the
precise calculation of the digital signal. Due to high-resolution DSP processing, it produces sound with an
extremely low noise threshold; something that most FM engines cannot offer. The Toxic Biohazard sound
was built from the ground up, via Image Line's unique mathematical calculations and analog-modeling techniques.

The Oscillators

Completely alias-free, and well tuned for all sampling rates, they produce a rich, "fat" sound all across the spectrum.
Due to the high quality of the anti-aliasing process, users will not encounter the shredding noise on high frequencies
that has plagued some FM synthesis implementations in the past. Furthermore, the oscillators are calculated at
extremely high speeds, keeping your CPU usage to a minimum. Toxic's low CPU consumption affords the user
plenty of room for external processing and running multiple instances. The oscillators also come equipped with
Maxx Claster's own powerful spectrum analysis technology. This allows the user to create his or her own
waveforms, via the simple process of loading a WAV or AIFF format sound file. All of these features make
the oscillators very flexible, and allow for the use of both synthetic and acoustic waveforms within Toxic III.
Each oscillator also comes with 32 built in 'classic' waveforms, each shown to be the most useful in FM synthesis.

The Effects

Made to assure high quality and flexibility is built into the synthesizer its self, Toxic Biohazard aims to reduce the need
for external processing altogether. The effect modules are designed to give the user access to several types of effects,
from aggressive, tube-like distortion, to warm stereo delay, reverb, flanger, and phaser effects. With Image Line's tape
delay emulation, based on non-fixed delay buffer sizes, instead of the usual methods incorporated within digital delays,
the delay lines give you warm sound, with "true" feedback and modulation. Lastly, the signal chain features an analog-modeled,
parametric equalizer to further shape your sound. The EQ provides access to crisp, clear high-end definition, creamy
mid ranges and earth-shaking low-end frequencies. The Toxic Biohazard effect modules expands its palette of sound
to include everything from dark, atmospheric textures to razor sharp leads, fit to slice easily through any mix.

The Filter

Maxx Claster's own analog-modeled, multi-mode filter is reminiscent of a certain silver box of old.Garnishing a
warm, resonant Low-Pass mode, a smooth Band-Pass setting, and a creamy High-Pass mode, Toxic Biohazard
gives a wealth of control over tone. The filter is further enhanced by modulation via a dedicated envelope
generator and low frequency oscillator, as well as responding to velocity information and keyboard tracking.
These features allow for extreme sound shaping, as well as subtle nuances attributed to dynamic playing.

The Sequencer

Powerful, yet simple, the sequencer offers a total of 64 steps, which can be divided into two independent, 32 step modules
to allow double-polyphonic patterns. Using Image Line's "Smart Sequencer" technology, when a chord is played, the
module defines that chord, and tunes the pattern accordingly. The sequencer also allows for pure playback of the
programmed sequence from single notes. Simply holding one chord can virtually create an arrangement for you.

Download:

h**p://www.ziddu.com/download/3266125/ImageLine_Toxic_Biohazard_VSTi.FLi.v1.0-TSRh.rar.html