REAPER 3.672 (x32 & x64)

REAPER 3.672 (x32 & x64) | 9.96 MB

REAPER is a digital audio workstation: a complete multitrack audio and MIDI recording, editing, processing, mixing, and mastering environment. Using your current computer and no other software, you can import any audio and MIDI, synthesize, sample, compose, arrange, edit, mix, and master songs or any other audio projects. If you add a hardware audio interface of your choice (AD/DA: analog-to-digital/digital-to-analog) and a microphone, you have a complete recording studio, suitable for recording anything from a soloist to a band to an orchestra (even if the orchestra is just you).
REAPER converts your computer into the full power of any top-of-the-line recording studio. Minus, of course, a room full of shockingly expensive converters, microphones, amplifiers, and, well, talent. If you are a top-of-the-line recording studio interested in REAPER, this part of the discussion has probably insulted your intelligence.
So we'll just say that unlike some other DAWs, REAPER will support almost any existing audio interface, even interfaces manufactured by companies whose software does not allow you to use any other hardware interface.

Nondestructive multi-track recording means that you can record and layer take after take, correcting, editing, revisiting, and tweaking to your heart's content. There are inexpensive audio interfaces designed just to plug guitars in to, and there are very fancy audio interfaces designed to convert many simultaneous line and microphone inputs.

REAPER is designed to let you work quickly and creatively, without imposing any artificial limits on what you can do. REAPER doesn't have track types, busses, tools, or offline processing. If you want to create a drum bus, simply add a track above the drum tracks and press the folder button - the drums will automatically send to the folder, Once you get the drum levels and FX tweaked right where you want them, you can record the folder's output to non-destructively freeze the drums and move on.

Fast, Powerful Editing:
• Drag and drop to import, arrange, and render
• Freely mix audio, MIDI, video, still image media on any track
• Easily move, split, glue, resize, trim, loop, time stretch, pitch shift, fade, crossfade, slip, snap to grid, without switching tools
• Intuitive zoom, scroll, scrub, jog, tab to audio transient, MIDI navigation
• Simple and powerful nested folder system allows group editing, routing, bussing, all in one step
• Full automation recording, playback, and editing support for track controls and plug-ins
• Easily manage tempo, time signature, and varispeed changes
• Separate audio or MIDI into freely arrangeable takes and lanes for easy comping
• Easily copy or move regions, to quickly try out alternate arrangements

Plug-in Support:
• Insert almost any third-party audio or MIDI plug-in: VST, VSTi, DX, DXi, AU (OSX only), JS
• ReWire (audio and MIDI) any capable application for even more flexibility
• Fully automatic plug-in delay compensation (PDC)
• Sidechain any plug-in, even if the plug-in does not natively support sidechaining
• Apply FX in real time, or non-destructively render FX output
• Real-time network FX processing: use other local machines as an FX farm

64-bit ReaPlugs Suite:
• Unlimited multiband EQ with draggable nodes
• Graphical FFT EQ/dynamics processing
• Technical and multiband compression
• Flexible, open-format convolution reverb
• Real-time pitch correction, with Elastique 2 Pro built in
• Multitap delay, basic synthesizer, sample player, vocoder, algorithmic reverb, and more
• Special-use plug-ins to virtualize outboard hardware, stream audio, connect to NINJAM servers, and more
• Includes the JS audio and midi plug-in scripting engine, and hundreds of user-programmable effects

Intangibles:
• REAPER starts and loads fast - be ready to record in just a few seconds
• Portable - put REAPER in your pocket and run it from a USB key or other removable media
• Tightly coded - installer is only a few MB, updates can be installed in less than a minute
• Rapid, efficient development - new features and optimizations are added quickly and often
• Very active, enthusiastic, and helpful user forum, get help quickly
• Fantastic and readable user-created manual

• An honest business model that aims to provide the best possible user experience

Change Log:
* MIDI editor:
o smoother editing for swing grid handles
o snap pitch/pan CC bars to center [demo]
o don't create extra undo point when moving/copying events
o fixed advancing cursor when step recording with swing grid enabled
o fixed crash when double-clicking collapsed CC lane
o fixed paste preserving position in measure in first partial measure of a media item
o new theme color for octave grid line [demo]
o update display immediately after event list context menu action
o when a single CC event is dragged, display the actual event time/value in the lower right
* FX:
o adding FX via quick-add menu floats the FX window (if the user preference is to show the FX window at all)
o double click a floating FX title bar to return the FX to the chain window [demo]
o double-click empty space in the FX chain list (under the current inserted FX) to open the FX browser
o fixed potential flood of FX automation messages
o optionally show the current track FX in the FX button context menu, click to float/unfloat individual FX [demo]
o when adding an FX chain, auto-float each FX window if the preference is set [demo]
* OSX:
o fixed a graphic glitch when updating track I/O window
o fixed drawing behavior when tabbing through tracks to rename
o fixed plug-in pin connector dialog not showing [+] button
o fixed tiny font and odd alignment in track IO dialog, MIDI CC lanes
o fixed too-large font on track meters
* Action:
o scroll view vertically (midi CC): prevent scrolling offscreen
o split items at timeline grid affects offscreen items properly
o toggle mute for track sends or receives 1-8
* AU:
o fixed occasional noise blast from plugins that can't handle anticipative processing (AUPeakLimiter)
o better support for multi-output AUs (thanks, VSL)
* Preferences:
o moved volume/pan fader range settings to Appearance/VU Meters and Faders
o preference to suppress splitting all items at the edit cursor if nothing is selected
* Render:
o added minimize button to minimize REAPER during renders
o fixed rendered items sometimes being one sample too short with certain sample rate/buffer size settings
* Takes:
o actions to rotate take lanes forward or backward for selected items [demo]
o copy/preserve take FX when new recording splits an existing media item (obeys preference to copy take FX on split)
o internal changes to take processing
* Theme support:
o background images with yellow lines (outer-areas) now properly supported for track name, vol, pan labels, etc
o better detection of theme changes (faster)
o button images can now have pink lines for stretching
* Tooltips:
o action to toggle on/off tooltips for media items and envelopes [demo]
o multi-line tooltips for envelopes, items, item fades
o multi-line tooltips for track IO, ENV, FX buttons [demo]
* Video/FFmpeg:
o better audio seek mechanism
o fixed duration on broken MPEG-1 files
* Video/Windows:
o added EVR output for Vista+ machines (improved video display when using Aero)
o fixed hang when using REAPER over RDP
* VST:
o ensure "show VST folders" option is persistent
o when VST folders enabled and VST names disabled, don't show path twice in FX button right-click menu
* API: export Help_Set function (show help text in the area below the track panels)
* Cues: fixed drawing of extra cues on unlooped items that are longer than the underlying media source
* Envelopes: pan envelope lane slider direction is consistent in trim/read vs write modes [demo]
* External editors: when passing a region to Sound Forge, round to the nearest sample
* Grid: fixed actions to split at grid, move cursor left/right to nearest grid position
* Grouped items: more consistent behavior when editing grouped item edges
* Help: when modifier keys are down, show what action is about to occur when editing items and envelope points
* Item crossfades: shift+alt drag moves the crossfade and stretches both items [demo]
* Marquee: shift overrides snap when selecting items and time together [demo]
* Media explorer: options for default action (insert media, preview media, do nothing)
* Parameter modulation: smoother audio control signal modulation with very short attack/release
* Playback: fixed play cursor positioning when starting near end of project/loop
* Project parsing: less heap use when parsing projects (faster loading of large projects)
* ReaEQ: Cockos VST extension support for manually editing envelope points [demo]
* s/SVN/Git/: new revision IDs in about box
* Undo: don't create extra undo point when control+drag copying media items
* Undo/Save: safer behavior when loading media item state
* Video: better peaks display when zoomed in on videos that use compressed audio
* Video/QuickTime: added sample accurate seek when using Quicktime decoder
* Windows: fix for waveOut latency going off after many hours

Homepage - http://www.reaper.fm

REAPER 3.672 (x32 & x64)

REAPER 3.672 (x32 & x64) | 9.96 MB

REAPER is a digital audio workstation: a complete multitrack audio and MIDI recording, editing, processing, mixing, and mastering environment. Using your current computer and no other software, you can import any audio and MIDI, synthesize, sample, compose, arrange, edit, mix, and master songs or any other audio projects. If you add a hardware audio interface of your choice (AD/DA: analog-to-digital/digital-to-analog) and a microphone, you have a complete recording studio, suitable for recording anything from a soloist to a band to an orchestra (even if the orchestra is just you).
REAPER converts your computer into the full power of any top-of-the-line recording studio. Minus, of course, a room full of shockingly expensive converters, microphones, amplifiers, and, well, talent. If you are a top-of-the-line recording studio interested in REAPER, this part of the discussion has probably insulted your intelligence.
So we'll just say that unlike some other DAWs, REAPER will support almost any existing audio interface, even interfaces manufactured by companies whose software does not allow you to use any other hardware interface.

Nondestructive multi-track recording means that you can record and layer take after take, correcting, editing, revisiting, and tweaking to your heart's content. There are inexpensive audio interfaces designed just to plug guitars in to, and there are very fancy audio interfaces designed to convert many simultaneous line and microphone inputs.

REAPER is designed to let you work quickly and creatively, without imposing any artificial limits on what you can do. REAPER doesn't have track types, busses, tools, or offline processing. If you want to create a drum bus, simply add a track above the drum tracks and press the folder button - the drums will automatically send to the folder, Once you get the drum levels and FX tweaked right where you want them, you can record the folder's output to non-destructively freeze the drums and move on.

Fast, Powerful Editing:
• Drag and drop to import, arrange, and render
• Freely mix audio, MIDI, video, still image media on any track
• Easily move, split, glue, resize, trim, loop, time stretch, pitch shift, fade, crossfade, slip, snap to grid, without switching tools
• Intuitive zoom, scroll, scrub, jog, tab to audio transient, MIDI navigation
• Simple and powerful nested folder system allows group editing, routing, bussing, all in one step
• Full automation recording, playback, and editing support for track controls and plug-ins
• Easily manage tempo, time signature, and varispeed changes
• Separate audio or MIDI into freely arrangeable takes and lanes for easy comping
• Easily copy or move regions, to quickly try out alternate arrangements

Plug-in Support:
• Insert almost any third-party audio or MIDI plug-in: VST, VSTi, DX, DXi, AU (OSX only), JS
• ReWire (audio and MIDI) any capable application for even more flexibility
• Fully automatic plug-in delay compensation (PDC)
• Sidechain any plug-in, even if the plug-in does not natively support sidechaining
• Apply FX in real time, or non-destructively render FX output
• Real-time network FX processing: use other local machines as an FX farm

64-bit ReaPlugs Suite:
• Unlimited multiband EQ with draggable nodes
• Graphical FFT EQ/dynamics processing
• Technical and multiband compression
• Flexible, open-format convolution reverb
• Real-time pitch correction, with Elastique 2 Pro built in
• Multitap delay, basic synthesizer, sample player, vocoder, algorithmic reverb, and more
• Special-use plug-ins to virtualize outboard hardware, stream audio, connect to NINJAM servers, and more
• Includes the JS audio and midi plug-in scripting engine, and hundreds of user-programmable effects

Intangibles:
• REAPER starts and loads fast - be ready to record in just a few seconds
• Portable - put REAPER in your pocket and run it from a USB key or other removable media
• Tightly coded - installer is only a few MB, updates can be installed in less than a minute
• Rapid, efficient development - new features and optimizations are added quickly and often
• Very active, enthusiastic, and helpful user forum, get help quickly
• Fantastic and readable user-created manual

• An honest business model that aims to provide the best possible user experience

Change Log:
* MIDI editor:
o smoother editing for swing grid handles
o snap pitch/pan CC bars to center [demo]
o don't create extra undo point when moving/copying events
o fixed advancing cursor when step recording with swing grid enabled
o fixed crash when double-clicking collapsed CC lane
o fixed paste preserving position in measure in first partial measure of a media item
o new theme color for octave grid line [demo]
o update display immediately after event list context menu action
o when a single CC event is dragged, display the actual event time/value in the lower right
* FX:
o adding FX via quick-add menu floats the FX window (if the user preference is to show the FX window at all)
o double click a floating FX title bar to return the FX to the chain window [demo]
o double-click empty space in the FX chain list (under the current inserted FX) to open the FX browser
o fixed potential flood of FX automation messages
o optionally show the current track FX in the FX button context menu, click to float/unfloat individual FX [demo]
o when adding an FX chain, auto-float each FX window if the preference is set [demo]
* OSX:
o fixed a graphic glitch when updating track I/O window
o fixed drawing behavior when tabbing through tracks to rename
o fixed plug-in pin connector dialog not showing [+] button
o fixed tiny font and odd alignment in track IO dialog, MIDI CC lanes
o fixed too-large font on track meters
* Action:
o scroll view vertically (midi CC): prevent scrolling offscreen
o split items at timeline grid affects offscreen items properly
o toggle mute for track sends or receives 1-8
* AU:
o fixed occasional noise blast from plugins that can't handle anticipative processing (AUPeakLimiter)
o better support for multi-output AUs (thanks, VSL)
* Preferences:
o moved volume/pan fader range settings to Appearance/VU Meters and Faders
o preference to suppress splitting all items at the edit cursor if nothing is selected
* Render:
o added minimize button to minimize REAPER during renders
o fixed rendered items sometimes being one sample too short with certain sample rate/buffer size settings
* Takes:
o actions to rotate take lanes forward or backward for selected items [demo]
o copy/preserve take FX when new recording splits an existing media item (obeys preference to copy take FX on split)
o internal changes to take processing
* Theme support:
o background images with yellow lines (outer-areas) now properly supported for track name, vol, pan labels, etc
o better detection of theme changes (faster)
o button images can now have pink lines for stretching
* Tooltips:
o action to toggle on/off tooltips for media items and envelopes [demo]
o multi-line tooltips for envelopes, items, item fades
o multi-line tooltips for track IO, ENV, FX buttons [demo]
* Video/FFmpeg:
o better audio seek mechanism
o fixed duration on broken MPEG-1 files
* Video/Windows:
o added EVR output for Vista+ machines (improved video display when using Aero)
o fixed hang when using REAPER over RDP
* VST:
o ensure "show VST folders" option is persistent
o when VST folders enabled and VST names disabled, don't show path twice in FX button right-click menu
* API: export Help_Set function (show help text in the area below the track panels)
* Cues: fixed drawing of extra cues on unlooped items that are longer than the underlying media source
* Envelopes: pan envelope lane slider direction is consistent in trim/read vs write modes [demo]
* External editors: when passing a region to Sound Forge, round to the nearest sample
* Grid: fixed actions to split at grid, move cursor left/right to nearest grid position
* Grouped items: more consistent behavior when editing grouped item edges
* Help: when modifier keys are down, show what action is about to occur when editing items and envelope points
* Item crossfades: shift+alt drag moves the crossfade and stretches both items [demo]
* Marquee: shift overrides snap when selecting items and time together [demo]
* Media explorer: options for default action (insert media, preview media, do nothing)
* Parameter modulation: smoother audio control signal modulation with very short attack/release
* Playback: fixed play cursor positioning when starting near end of project/loop
* Project parsing: less heap use when parsing projects (faster loading of large projects)
* ReaEQ: Cockos VST extension support for manually editing envelope points [demo]
* s/SVN/Git/: new revision IDs in about box
* Undo: don't create extra undo point when control+drag copying media items
* Undo/Save: safer behavior when loading media item state
* Video: better peaks display when zoomed in on videos that use compressed audio
* Video/QuickTime: added sample accurate seek when using Quicktime decoder
* Windows: fix for waveOut latency going off after many hours

Homepage - http://www.reaper.fm

M-Audio Pro Sessions Premium Instruments Premium Vintage Keyboards MULTiFORMAT

M-Audio Pro Sessions Premium Instruments Premium Vintage Keyboards MULTiFORMAT | 1.52 GB

Produced by accomplished producer/remixer Chris Griffin (Madonna, The Corrs), Premium Vintage Keyboards contains two world-class instruments—the very ones used on countless recordings by Grammy-winning artists. The set includes a rare Wurlitzer Model 214 “Blacktop”—identical to the famous model 200a with the addition of four 8” speakers, a larger amplifier, and more direct output choices. It is the model of choice for studio recording, and only a few studios own them. Four velocity layers and key-release damping make this instrument completely authentic and “fast” to play. The Clavinet is a vintage D6 model from the mid 1970’s. Restored and tuned especially for this disc, it was sampled in the “A/C” pickup configuration for the most versatility. The multi-samples include three velocities and the all-important key-release “pluck” that many other sampled instruments lack. Presented in Reason NN-XT, EXS24, Kontakt, HALion and MachFive formats.

M-Audio Pro Sessions Premium Instruments Premium Vintage Keyboards MULTiFORMAT

M-Audio Pro Sessions Premium Instruments Premium Vintage Keyboards MULTiFORMAT | 1.52 GB

Produced by accomplished producer/remixer Chris Griffin (Madonna, The Corrs), Premium Vintage Keyboards contains two world-class instruments—the very ones used on countless recordings by Grammy-winning artists. The set includes a rare Wurlitzer Model 214 “Blacktop”—identical to the famous model 200a with the addition of four 8” speakers, a larger amplifier, and more direct output choices. It is the model of choice for studio recording, and only a few studios own them. Four velocity layers and key-release damping make this instrument completely authentic and “fast” to play. The Clavinet is a vintage D6 model from the mid 1970’s. Restored and tuned especially for this disc, it was sampled in the “A/C” pickup configuration for the most versatility. The multi-samples include three velocities and the all-important key-release “pluck” that many other sampled instruments lack. Presented in Reason NN-XT, EXS24, Kontakt, HALion and MachFive formats.

Tonehammer Anti Drum II KONTAKT DVDR

Tonehammer Anti Drum II KONTAKT DVDR | 957 MB

Anti-Drum II is a follow-up to our popular Anti-Drum I, however we wanted to push the bar even further in terms of abstract percussion. This library is an ideal toolbox for all forms of experimental, industrial, electronic, IDM, glitch, sound design and even for providing fresh and inspiring new material for all types of scoring. The library contains 4.556 samples and 76 different instrument patches that each represent a unique texture. The library contains a variety of instruments recorded in our signature hall, including boom whackers, PVC pipe percussion ensemble to flower vases, glasses, rainsticks, soda bottles. We also included a supreme set of music box samples, which were recorded in several locations including large hall, studio and so forth. The library also contains a variety of even more unconventional instruments ranging from human beats through a cellphone (10 round robin and 10 velocity layers), stop watches and a compressive patch of what we call: "human trumpets".

Features:

* Air Traffic Control
* Baritone Sax Phrases
* Boom Whackers (10 velo / 10 round-robin / hall)
* Box Bang (hall)
* Cellphone Human Beat Box
* Soda Bottle Staccato (10 velo / hall)
* Finger Snaps
* Fuzz Kit
* Garbage Day (hall)
* Human Trumpet
* Massives (sound design)
* Music Boxes (big hall, small hall, studio)
* PVC Ensemble Patches (hall)
* PVC Orchestra (hall)
* PVC Mega Horn (hall)
* PVC Solo Patches (hall)
* PVC Beat Box Ensemble (hall)
* PVC Vocal Effects (hall)
* Plastic Water Jug(hall)
* Rainstick (hall)
* Restroom Handle Bars
* Slinky Experiment
* Stop Watch
* The Deceiver
* Thunder Drum
* Tuned Water Glasses (hall)
* Tuned Water Bowl (hall)
* Un-glass
* Warbly Little Synth Kit
* Wooden Plant Box (hall)
* 76 instrument patches, 4.556 samples, 2.18 GB installed.
* 44.1kHz/16bit and 48kHz/24bit mono and stereo .wav formats
* Format(s): Kontakt and .wav (note: Kontakt 2 not supported for bonus content)
* Note: Native Instruments Kontakt full cracked by AiR or DYNAMiCS required to decrypt the library.
* Note: Free Kontakt Player will only work for 30 minutes with this product. Full version required to remove this restriction.

Tonehammer Anti Drum II KONTAKT DVDR

Tonehammer Anti Drum II KONTAKT DVDR | 957 MB

Anti-Drum II is a follow-up to our popular Anti-Drum I, however we wanted to push the bar even further in terms of abstract percussion. This library is an ideal toolbox for all forms of experimental, industrial, electronic, IDM, glitch, sound design and even for providing fresh and inspiring new material for all types of scoring. The library contains 4.556 samples and 76 different instrument patches that each represent a unique texture. The library contains a variety of instruments recorded in our signature hall, including boom whackers, PVC pipe percussion ensemble to flower vases, glasses, rainsticks, soda bottles. We also included a supreme set of music box samples, which were recorded in several locations including large hall, studio and so forth. The library also contains a variety of even more unconventional instruments ranging from human beats through a cellphone (10 round robin and 10 velocity layers), stop watches and a compressive patch of what we call: "human trumpets".

Features:

* Air Traffic Control
* Baritone Sax Phrases
* Boom Whackers (10 velo / 10 round-robin / hall)
* Box Bang (hall)
* Cellphone Human Beat Box
* Soda Bottle Staccato (10 velo / hall)
* Finger Snaps
* Fuzz Kit
* Garbage Day (hall)
* Human Trumpet
* Massives (sound design)
* Music Boxes (big hall, small hall, studio)
* PVC Ensemble Patches (hall)
* PVC Orchestra (hall)
* PVC Mega Horn (hall)
* PVC Solo Patches (hall)
* PVC Beat Box Ensemble (hall)
* PVC Vocal Effects (hall)
* Plastic Water Jug(hall)
* Rainstick (hall)
* Restroom Handle Bars
* Slinky Experiment
* Stop Watch
* The Deceiver
* Thunder Drum
* Tuned Water Glasses (hall)
* Tuned Water Bowl (hall)
* Un-glass
* Warbly Little Synth Kit
* Wooden Plant Box (hall)
* 76 instrument patches, 4.556 samples, 2.18 GB installed.
* 44.1kHz/16bit and 48kHz/24bit mono and stereo .wav formats
* Format(s): Kontakt and .wav (note: Kontakt 2 not supported for bonus content)
* Note: Native Instruments Kontakt full cracked by AiR or DYNAMiCS required to decrypt the library.
* Note: Free Kontakt Player will only work for 30 minutes with this product. Full version required to remove this restriction.

Brainspawn (for marcus)--:)

1- Brainspawn Forte nEnsemble.Dx.VST. v1.4-H2O.rar
2-Brainspawn forte Ensemble v1 6.93 1136 AMPLiFY rar


more nfo:
http://www.brainspawn.com/index.php?option=com_content&view=frontpage&Itemid=53

note for marcus:T'S THE MOST IMPOSSIBLE .................I do not know the meaning of that word:impossible ` (XD)

for what you want, a friend

Brainspawn (for marcus)--:)

1- Brainspawn Forte nEnsemble.Dx.VST. v1.4-H2O.rar
2-Brainspawn forte Ensemble v1 6.93 1136 AMPLiFY rar


more nfo:
http://www.brainspawn.com/index.php?option=com_content&view=frontpage&Itemid=53

note for marcus:T'S THE MOST IMPOSSIBLE .................I do not know the meaning of that word:impossible ` (XD)

for what you want, a friend

Loopmasters Coldcut Sound Science MULTiFORMAT

Loopmasters Coldcut Sound Science MULTiFORMAT
Team DYNAMiCS | 571MB


Coldcut need no introduction, being some of the first and finest artists to successfully work with samples and loops to forge their own styles of modern hip hop and dance music, Matt Black and Jon More are responsible for some of the digital generations finest musical moments, and whose label Ninja Tune continues to release some of the most cutting edge tunes currently available!

This exclusive sample pack produced for Loopmasters by Matt and Jon themselves features a huge collection of previously unheard and unreleased material which is sure to grace many future hit records through genres such as Hip Hop, Breaks, House and Drum and Bass. A true skeleton key of sound, the loops and samples are a must for every serious music producers collection.

“For your delectation and musical pleasure we have prized open the Coldcut sample vault. Located deep within a secure facility at ninja hind quarters and sourced from over twenty years of electronic music creation, this library contains only the strongest survivors of sound. Digging deep within our repository of digital delights we have created a treasury of tools for your use. All the samples have been chosen with micro attention to sonic detail, a range of carefully produced elements that will have you creating new genres in minutes, rocking a party like you just don’t care, or making your bass face till it hurts…..its all here, liberated by Coldcut for you.

Release Info:
Loopmasters.Coldcut.Sound.Science.MULTiFORMAT-DYNAMiCS
SUPPLiER..: Team DYNAMiCS
PACKAGER..: Team DYNAMiCS
FORMAT..: EXS24/HALion/KONTAKT/NNXT/WAV/ACiD

Loopmasters Coldcut Sound Science MULTiFORMAT

Loopmasters Coldcut Sound Science MULTiFORMAT
Team DYNAMiCS | 571MB


Coldcut need no introduction, being some of the first and finest artists to successfully work with samples and loops to forge their own styles of modern hip hop and dance music, Matt Black and Jon More are responsible for some of the digital generations finest musical moments, and whose label Ninja Tune continues to release some of the most cutting edge tunes currently available!

This exclusive sample pack produced for Loopmasters by Matt and Jon themselves features a huge collection of previously unheard and unreleased material which is sure to grace many future hit records through genres such as Hip Hop, Breaks, House and Drum and Bass. A true skeleton key of sound, the loops and samples are a must for every serious music producers collection.

“For your delectation and musical pleasure we have prized open the Coldcut sample vault. Located deep within a secure facility at ninja hind quarters and sourced from over twenty years of electronic music creation, this library contains only the strongest survivors of sound. Digging deep within our repository of digital delights we have created a treasury of tools for your use. All the samples have been chosen with micro attention to sonic detail, a range of carefully produced elements that will have you creating new genres in minutes, rocking a party like you just don’t care, or making your bass face till it hurts…..its all here, liberated by Coldcut for you.

Release Info:
Loopmasters.Coldcut.Sound.Science.MULTiFORMAT-DYNAMiCS
SUPPLiER..: Team DYNAMiCS
PACKAGER..: Team DYNAMiCS
FORMAT..: EXS24/HALion/KONTAKT/NNXT/WAV/ACiD

LinPlug RMV Drum Addiction v5.0.6 VSTi AU DVDR PC: 2.26GB | MacOSX: 3.3GB

LinPlug RMV Drum Addiction v5.0.6 VSTi AU DVDR
PC: 2.26GB | MacOSX: 3.3GB

The RMV is a dream machine, but you need to try it to understand just how flexible it is, how intuitive and easy to use the interface is, how well the library system works. A wonderfull machine. RMV Drum Addiction Drum Synthesizer, Drum Sampler, Audio Loop Slicer and Drum Librarian for Windows. RMV is the result of many years of investigation and programming and a huge step forward from its predecessor, the RM IV.

Features
*Drum Synthesizer
*Drum Sampler
*Audio Loop Modules (Slicer & Player)
*Drum Librarian
*Available for PC and for Mac OSX
*64-voice polyphony
*Multiple instances of the RMV can be opened.
*48 polyphonic Pads for the universal or specialized Drum Synthesizers or Drum Samplers
*Six independent Audio Loop Modules with up to 64 slices each
*Each PPad and each Slice features its own controls for
Volume
Pan
Output Selection
Tune (+- 24 semitones in 10 cent intervals)
two independent Effects Send
*Each Pad and Slice can belong to one of 10 Edit Groups (parameters for all Pads or Slices in a Group can be adjusted simultaneously)
*Each Pad and each Slice can have additional modules
a 12x12 Modulation Matrix
3 independent LFOs
a Distortion and BitCrusher
a multimode AHDSR-controlled filter
a four-band parametric equalizer
three insert effects racks each of which can be set to one of nine different effects units
a "Varizer" for unbeaten realistic humanizing.
*Each Pad additionally features its own controls for loading and saving Pad files, Choke Group (12 groups are available including prev/next and self-mute), Trigger Key, Polyphony (mono...8, full), Mute and Solo
*Almost all instrument parameters are MIDI controllable

Release Info:
LinPlug.RM-V.Drum.Addiction.VSTi.v5.0.3.DVDR-AiRISO
LinPlug.RMV.VSTi.v5.0.6.x86.Update-ASSiGN
LinPlug.RMV.Drum.Addiction.VSTi.AU.v5.0.4.MAC.OSX.UB.DVDR-ArCADE
SYSTEM....: WiN/MacOSX
FORMAT....: VSTi/AU

Homepage: http://www.linplug.com/Instruments/RMV/rmv.htm

LinPlug RMV Drum Addiction v5.0.6 VSTi AU DVDR PC: 2.26GB | MacOSX: 3.3GB

LinPlug RMV Drum Addiction v5.0.6 VSTi AU DVDR
PC: 2.26GB | MacOSX: 3.3GB

The RMV is a dream machine, but you need to try it to understand just how flexible it is, how intuitive and easy to use the interface is, how well the library system works. A wonderfull machine. RMV Drum Addiction Drum Synthesizer, Drum Sampler, Audio Loop Slicer and Drum Librarian for Windows. RMV is the result of many years of investigation and programming and a huge step forward from its predecessor, the RM IV.

Features
*Drum Synthesizer
*Drum Sampler
*Audio Loop Modules (Slicer & Player)
*Drum Librarian
*Available for PC and for Mac OSX
*64-voice polyphony
*Multiple instances of the RMV can be opened.
*48 polyphonic Pads for the universal or specialized Drum Synthesizers or Drum Samplers
*Six independent Audio Loop Modules with up to 64 slices each
*Each PPad and each Slice features its own controls for
Volume
Pan
Output Selection
Tune (+- 24 semitones in 10 cent intervals)
two independent Effects Send
*Each Pad and Slice can belong to one of 10 Edit Groups (parameters for all Pads or Slices in a Group can be adjusted simultaneously)
*Each Pad and each Slice can have additional modules
a 12x12 Modulation Matrix
3 independent LFOs
a Distortion and BitCrusher
a multimode AHDSR-controlled filter
a four-band parametric equalizer
three insert effects racks each of which can be set to one of nine different effects units
a "Varizer" for unbeaten realistic humanizing.
*Each Pad additionally features its own controls for loading and saving Pad files, Choke Group (12 groups are available including prev/next and self-mute), Trigger Key, Polyphony (mono...8, full), Mute and Solo
*Almost all instrument parameters are MIDI controllable

Release Info:
LinPlug.RM-V.Drum.Addiction.VSTi.v5.0.3.DVDR-AiRISO
LinPlug.RMV.VSTi.v5.0.6.x86.Update-ASSiGN
LinPlug.RMV.Drum.Addiction.VSTi.AU.v5.0.4.MAC.OSX.UB.DVDR-ArCADE
SYSTEM....: WiN/MacOSX
FORMAT....: VSTi/AU

Homepage: http://www.linplug.com/Instruments/RMV/rmv.htm

REAPER 3.66 (x86/x64)

REAPER 3.66 (x86/x64) | 10.08 MB

REAPER is a digital audio workstation: a complete multitrack audio and MIDI recording, editing, processing, mixing, and mastering environment. Using your current computer and no other software, you can import any audio and MIDI, synthesize, sample, compose, arrange, edit, mix, and master songs or any other audio projects. If you add a hardware audio interface of your choice (AD/DA: analog-to-digital/digital-to-analog) and a microphone, you have a complete recording studio, suitable for recording anything from a soloist to a band to an orchestra (even if the orchestra is just you).

REAPER converts your computer into the full power of any top-of-the-line recording studio. Minus, of course, a room full of shockingly expensive converters, microphones, amplifiers, and, well, talent. If you are a top-of-the-line recording studio interested in REAPER, this part of the discussion has probably insulted your intelligence.
So we'll just say that unlike some other DAWs, REAPER will support almost any existing audio interface, even interfaces manufactured by companies whose software does not allow you to use any other hardware interface.

Nondestructive multi-track recording means that you can record and layer take after take, correcting, editing, revisiting, and tweaking to your heart's content. There are inexpensive audio interfaces designed just to plug guitars in to, and there are very fancy audio interfaces designed to convert many simultaneous line and microphone inputs.

REAPER is designed to let you work quickly and creatively, without imposing any artificial limits on what you can do. REAPER doesn't have track types, busses, tools, or offline processing. If you want to create a drum bus, simply add a track above the drum tracks and press the folder button - the drums will automatically send to the folder, Once you get the drum levels and FX tweaked right where you want them, you can record the folder's output to non-destructively freeze the drums and move on.

Fast, Powerful Editing:
• Drag and drop to import, arrange, and render
• Freely mix audio, MIDI, video, still image media on any track
• Easily move, split, glue, resize, trim, loop, time stretch, pitch shift, fade, crossfade, slip, snap to grid, without switching tools
• Intuitive zoom, scroll, scrub, jog, tab to audio transient, MIDI navigation
• Simple and powerful nested folder system allows group editing, routing, bussing, all in one step
• Full automation recording, playback, and editing support for track controls and plug-ins
• Easily manage tempo, time signature, and varispeed changes
• Separate audio or MIDI into freely arrangeable takes and lanes for easy comping
• Easily copy or move regions, to quickly try out alternate arrangements

Plug-in Support:
• Insert almost any third-party audio or MIDI plug-in: VST, VSTi, DX, DXi, AU (OSX only), JS
• ReWire (audio and MIDI) any capable application for even more flexibility
• Fully automatic plug-in delay compensation (PDC)
• Sidechain any plug-in, even if the plug-in does not natively support sidechaining
• Apply FX in real time, or non-destructively render FX output
• Real-time network FX processing: use other local machines as an FX farm

64-bit ReaPlugs Suite:
• Unlimited multiband EQ with draggable nodes
• Graphical FFT EQ/dynamics processing
• Technical and multiband compression
• Flexible, open-format convolution reverb
• Real-time pitch correction, with Elastique 2 Pro built in
• Multitap delay, basic synthesizer, sample player, vocoder, algorithmic reverb, and more
• Special-use plug-ins to virtualize outboard hardware, stream audio, connect to NINJAM servers, and more
• Includes the JS audio and midi plug-in scripting engine, and hundreds of user-programmable effects

Intangibles:
• REAPER starts and loads fast - be ready to record in just a few seconds
• Portable - put REAPER in your pocket and run it from a USB key or other removable media
• Tightly coded - installer is only a few MB, updates can be installed in less than a minute
• Rapid, efficient development - new features and optimizations are added quickly and often
• Very active, enthusiastic, and helpful user forum, get help quickly
• Fantastic and readable user-created manual
• An honest business model that aims to provide the best possible user experience

Changes in REAPER 3.66 - August 4, 2010:
* MIDI editor:
o action to reverse events also reverses CC, works in event list view
o actions that target a CC lane will target the top lane if no CC lane has focus
o advance edit cursor correctly after paste preserving position in measure
o better blink cursor appearance
o clicking to the left of a CC lane will set focus to that lane without deselecting notes/CC
o fixed CC events on one channel erasing events on other channels when moving CC with notes
o fixed splitting notes in looped MIDI items
o fixed step input actions when inserting X semitones below the current note
o immediately refresh event list when correcting overlapping notes/CC
o option to disable single-click selecting CC events
o paste preserving position in measure will not paste duplicates
o quantize, humanize, event properties, and filter windows stay on top of the editor
o swing grid support
o swing grid strength is set/edited by dragging handles on the upbeat grid lines [demo]
o text box for manual entry of swing strength
o when correcting overlapping notes, also correct CC events at the same time/channel
o when correcting overlapping notes/CC, always preserve the selected note/CC
* Custom colors:
o action to reset random color generator (also resets default.palette if it exists)
o if default.reapalette file exists, use those colors instead of random colors
o default.reapalette (resource dir): text file of R G B values, one color per line
o organized default custom color menu entries
o preference for media item background tint strength, for selected/unselected media items [demo]
o preference to automatically color any recording pass that adds takes to existing items [demo]
o support for setting all takes created in the same recording pass to a custom color [demo]
o support for setting custom colors per-take
* MIDI quantize:
o actions to quantize note position, or position and end, to grid
o added actions and options to quantize notes only, or all events
o added bypass checkbox to quantize dialog
o checkbox to fix overlaps on commit
o notes will move with grid changes if quantize dialog is open when changing grid or swing [demo] [demo]
o overhauled quantize dialog
o when quantize grid is set to editor grid, quantize swing setting is linked to editor swing
* OSX:
o better text field coloring
o fixed 2GB+ file peakfile generation/reading
o fixed a few graphical glitches relating to docked windows
o selecting default system devices now allows differing input/outputs
* Recording:
o organized options for behavior when recording over existing items
o recording over existing items can split the old items and add takes, create new items, or trim existing items [demo]
o ensure that loop recording creates correct length files when "add new files on loop" enabled
o fix for loop recording sometimes being slightly off the loop edges
o new preference to discard incomplete first/last takes if at least one full loop was recorded [demo]
* Takes:
o action to activate take under mouse, mapped to "Y" by default (for "yes")
o media item drawing optimizations
o media items can be locked to the active take (to prevent mouse clicks from switching takes) [demo]
o preference to link or unlink all takes when editing start offset (slip editing) [demo]
* Tracks:
o "Options/Show overlapping items in lanes" creates as many lanes as necessary [demo]
o when showing items in lanes, items whose audio will mask other items are drawn in a higher lane [demo]
o automatically remove tracks created by accidentally moving an item down too far [demo]
o added preference to remove or retain tracks created by moving an item below the last track and back
* Automation:
o higher recording speed for FX parameter automation
o refresh track volume/pan sliders when deleting a track envelope in read/write modes
* Color theme:
o added themeable colored bars to optionally display on selected items, active takes [demo]
o added themeable colors for MIDI note/CC text colors (light and dark)
* API: allow extensions and ReaScript to get/set take custom colors, recording pass ID
* Custom menu editor: action list automatically switches to the correct section when changing menus
* Envelopes: drawing optimizations when zoomed out
* External sync: option to only use external sync on playback or recording, or both
* Master VU: fixed inaccurate RMS meter calculation with some window/audio buffer sizes
* Media items: draw media source end notch slightly differently for unlooped items [demo]
* MIDI: fixed MIDI notes sometimes not being played when coinciding exactly with a time signature change
* Nudge/set: checkbox to preserve relative item positioning in set mode [demo]
* Preferences: new tab for path settings (default render path, default recording path, alternate peak cache path)
* ReaControlMIDI: fixed reading .ins files that contain trailing blank lines
* ReaGate: checkbox to invert gate output (when loud, duck wet signal vs dry) [demo]
* Scrollbars: improved zoom button sizing
* Toolbar: refresh custom toolbars after linking/unlinking loop points and time selection via preferences
* Transport menu: fixed checkmarks on submenu items (such as external sync, etc)
* Video: preliminary support for flip/rotate of video (video source properties) [demo]
* VST: inform plugins if transport repeat is enabled
* Windows: better audio device closing behavior when minimizing REAPER and stopped

Homepage - http://www.reaper.fm

REAPER 3.66 (x86/x64)

REAPER 3.66 (x86/x64) | 10.08 MB

REAPER is a digital audio workstation: a complete multitrack audio and MIDI recording, editing, processing, mixing, and mastering environment. Using your current computer and no other software, you can import any audio and MIDI, synthesize, sample, compose, arrange, edit, mix, and master songs or any other audio projects. If you add a hardware audio interface of your choice (AD/DA: analog-to-digital/digital-to-analog) and a microphone, you have a complete recording studio, suitable for recording anything from a soloist to a band to an orchestra (even if the orchestra is just you).

REAPER converts your computer into the full power of any top-of-the-line recording studio. Minus, of course, a room full of shockingly expensive converters, microphones, amplifiers, and, well, talent. If you are a top-of-the-line recording studio interested in REAPER, this part of the discussion has probably insulted your intelligence.
So we'll just say that unlike some other DAWs, REAPER will support almost any existing audio interface, even interfaces manufactured by companies whose software does not allow you to use any other hardware interface.

Nondestructive multi-track recording means that you can record and layer take after take, correcting, editing, revisiting, and tweaking to your heart's content. There are inexpensive audio interfaces designed just to plug guitars in to, and there are very fancy audio interfaces designed to convert many simultaneous line and microphone inputs.

REAPER is designed to let you work quickly and creatively, without imposing any artificial limits on what you can do. REAPER doesn't have track types, busses, tools, or offline processing. If you want to create a drum bus, simply add a track above the drum tracks and press the folder button - the drums will automatically send to the folder, Once you get the drum levels and FX tweaked right where you want them, you can record the folder's output to non-destructively freeze the drums and move on.

Fast, Powerful Editing:
• Drag and drop to import, arrange, and render
• Freely mix audio, MIDI, video, still image media on any track
• Easily move, split, glue, resize, trim, loop, time stretch, pitch shift, fade, crossfade, slip, snap to grid, without switching tools
• Intuitive zoom, scroll, scrub, jog, tab to audio transient, MIDI navigation
• Simple and powerful nested folder system allows group editing, routing, bussing, all in one step
• Full automation recording, playback, and editing support for track controls and plug-ins
• Easily manage tempo, time signature, and varispeed changes
• Separate audio or MIDI into freely arrangeable takes and lanes for easy comping
• Easily copy or move regions, to quickly try out alternate arrangements

Plug-in Support:
• Insert almost any third-party audio or MIDI plug-in: VST, VSTi, DX, DXi, AU (OSX only), JS
• ReWire (audio and MIDI) any capable application for even more flexibility
• Fully automatic plug-in delay compensation (PDC)
• Sidechain any plug-in, even if the plug-in does not natively support sidechaining
• Apply FX in real time, or non-destructively render FX output
• Real-time network FX processing: use other local machines as an FX farm

64-bit ReaPlugs Suite:
• Unlimited multiband EQ with draggable nodes
• Graphical FFT EQ/dynamics processing
• Technical and multiband compression
• Flexible, open-format convolution reverb
• Real-time pitch correction, with Elastique 2 Pro built in
• Multitap delay, basic synthesizer, sample player, vocoder, algorithmic reverb, and more
• Special-use plug-ins to virtualize outboard hardware, stream audio, connect to NINJAM servers, and more
• Includes the JS audio and midi plug-in scripting engine, and hundreds of user-programmable effects

Intangibles:
• REAPER starts and loads fast - be ready to record in just a few seconds
• Portable - put REAPER in your pocket and run it from a USB key or other removable media
• Tightly coded - installer is only a few MB, updates can be installed in less than a minute
• Rapid, efficient development - new features and optimizations are added quickly and often
• Very active, enthusiastic, and helpful user forum, get help quickly
• Fantastic and readable user-created manual
• An honest business model that aims to provide the best possible user experience

Changes in REAPER 3.66 - August 4, 2010:
* MIDI editor:
o action to reverse events also reverses CC, works in event list view
o actions that target a CC lane will target the top lane if no CC lane has focus
o advance edit cursor correctly after paste preserving position in measure
o better blink cursor appearance
o clicking to the left of a CC lane will set focus to that lane without deselecting notes/CC
o fixed CC events on one channel erasing events on other channels when moving CC with notes
o fixed splitting notes in looped MIDI items
o fixed step input actions when inserting X semitones below the current note
o immediately refresh event list when correcting overlapping notes/CC
o option to disable single-click selecting CC events
o paste preserving position in measure will not paste duplicates
o quantize, humanize, event properties, and filter windows stay on top of the editor
o swing grid support
o swing grid strength is set/edited by dragging handles on the upbeat grid lines [demo]
o text box for manual entry of swing strength
o when correcting overlapping notes, also correct CC events at the same time/channel
o when correcting overlapping notes/CC, always preserve the selected note/CC
* Custom colors:
o action to reset random color generator (also resets default.palette if it exists)
o if default.reapalette file exists, use those colors instead of random colors
o default.reapalette (resource dir): text file of R G B values, one color per line
o organized default custom color menu entries
o preference for media item background tint strength, for selected/unselected media items [demo]
o preference to automatically color any recording pass that adds takes to existing items [demo]
o support for setting all takes created in the same recording pass to a custom color [demo]
o support for setting custom colors per-take
* MIDI quantize:
o actions to quantize note position, or position and end, to grid
o added actions and options to quantize notes only, or all events
o added bypass checkbox to quantize dialog
o checkbox to fix overlaps on commit
o notes will move with grid changes if quantize dialog is open when changing grid or swing [demo] [demo]
o overhauled quantize dialog
o when quantize grid is set to editor grid, quantize swing setting is linked to editor swing
* OSX:
o better text field coloring
o fixed 2GB+ file peakfile generation/reading
o fixed a few graphical glitches relating to docked windows
o selecting default system devices now allows differing input/outputs
* Recording:
o organized options for behavior when recording over existing items
o recording over existing items can split the old items and add takes, create new items, or trim existing items [demo]
o ensure that loop recording creates correct length files when "add new files on loop" enabled
o fix for loop recording sometimes being slightly off the loop edges
o new preference to discard incomplete first/last takes if at least one full loop was recorded [demo]
* Takes:
o action to activate take under mouse, mapped to "Y" by default (for "yes")
o media item drawing optimizations
o media items can be locked to the active take (to prevent mouse clicks from switching takes) [demo]
o preference to link or unlink all takes when editing start offset (slip editing) [demo]
* Tracks:
o "Options/Show overlapping items in lanes" creates as many lanes as necessary [demo]
o when showing items in lanes, items whose audio will mask other items are drawn in a higher lane [demo]
o automatically remove tracks created by accidentally moving an item down too far [demo]
o added preference to remove or retain tracks created by moving an item below the last track and back
* Automation:
o higher recording speed for FX parameter automation
o refresh track volume/pan sliders when deleting a track envelope in read/write modes
* Color theme:
o added themeable colored bars to optionally display on selected items, active takes [demo]
o added themeable colors for MIDI note/CC text colors (light and dark)
* API: allow extensions and ReaScript to get/set take custom colors, recording pass ID
* Custom menu editor: action list automatically switches to the correct section when changing menus
* Envelopes: drawing optimizations when zoomed out
* External sync: option to only use external sync on playback or recording, or both
* Master VU: fixed inaccurate RMS meter calculation with some window/audio buffer sizes
* Media items: draw media source end notch slightly differently for unlooped items [demo]
* MIDI: fixed MIDI notes sometimes not being played when coinciding exactly with a time signature change
* Nudge/set: checkbox to preserve relative item positioning in set mode [demo]
* Preferences: new tab for path settings (default render path, default recording path, alternate peak cache path)
* ReaControlMIDI: fixed reading .ins files that contain trailing blank lines
* ReaGate: checkbox to invert gate output (when loud, duck wet signal vs dry) [demo]
* Scrollbars: improved zoom button sizing
* Toolbar: refresh custom toolbars after linking/unlinking loop points and time selection via preferences
* Transport menu: fixed checkmarks on submenu items (such as external sync, etc)
* Video: preliminary support for flip/rotate of video (video source properties) [demo]
* VST: inform plugins if transport repeat is enabled
* Windows: better audio device closing behavior when minimizing REAPER and stopped

Homepage - http://www.reaper.fm

MeldaProduction MDrummer Large 3 STANDALONE VSTi 3.02 Update x86

MeldaProduction MDrummer Large 3 STANDALONE VSTi 3.02 Update x86 | 44 MB

MeldaProduction has finally created the total drum solution: MDrummer. MDrummer is a highly sophisticated percussion workstation which combines features of all of current products on the market into one single instrument. MDrummer is so splendid that we could talk about it for hours, but maybe it would be easier to try it out for yourself...

Now, let's highlight some of the more interesting features of MDrummer:

* VST plug-in & standalone application, incredible sound and rhythm systems provide everything you could ever need! Not just a sampler, not just a synthesizer, not just a loop player... It is more versatile than you could ever imagine! It can play acoustic jazz swing with brushes, bossa nova, pop, r'n'b, hip-hop, drum'n'bass... If you can imagine it, MDrummer can play it.
* Free drum VST plug-in - MDrummer S is a totally free version of MDrummer! It contains everything you need - the standalone application and VST plug-in compatible with most of the VST hosts such as Cubase, Nuendo, Cakewalk etc. You do not need to look for drum VST warez anymore, because this one is really free! Just download, install and enjoy the power of the MDrummer VST plug-in and standalone application.
* A huge library of resources is included, of course. This consists of 6GB in 500+ multisamples (Gretsch Birch and Sonor S-Class drumsets played with sticks, mallets, floppy, brushes and hands...), 150+ drumsets, 750+ drumset components to generate your own unique drumsets, 200+ rhythms, 100+ base-rhythms useful to help you generate your own unique rhythms, 12000+ loops (most of them recorded) useful to generate your own unique rhythms, Subsample libraries, samples, effect configurations, layers and much more...
* Updates and packages free for life - MDrummer downloads and installs updates and additional resources (samples, subsample libraries, rhythms, grooves...) for free! No more extension packs, we want our customers to be satisfied forever!
* Incredibly versatile sound system lets you tweek sounds using the most advanced tools available - plug-in based sound generators (several samplers and synthesizers) and effects (compressor, equalizer, limiter, analyzer, phaser, vibrato, tremolo...), an unlimited number of drum slots, velocity layers and effects...
Studio samples of drums and percussion? Of course.
Electronic sounds? Of course.
Something really original? Of course - just look at the features of MDrummer's sound generators...
* Drumset generator and merger can be used to generate an almost unlimited number of original drumsets in just a few clicks. If you do not want to waste your time with complicated sound configurations or just need some quick inspiration, this is simply the fastest way to get it done on a computer!

* You can generate more than 33 millions of millions of millions drumsets from ready-to-use drumset components included in the full version by pressing a single button. 16,500 of them will have unique bass and snare drum combinations. Really! It is that simple!
* Rhythm system (MRS) is a breakthrough in drumming technology. MDrummer rhythm system gives you power to create rhythm tracks in 2 minutes without limiting your creativity! Any style, any signature, any percussion instrument, strictly general MIDI compatible... And if you ever find that you are not satisfied, it takes just a few more clicks to change the rhythm throughout the entire song! Impossible? Not any more! No more MIDI files, grooves, loop collections...
* Plays groove, automatically inserts fills, and just works like a real drummer. And now you can jam with him! Give him the order to play and he will know what to do. You can practice jam with him, build rhythm tracks for your songs, or even use him instead of a real drummer, because he is at least as good as your current drummer! Connect your MIDI device, enable jamming mode and just start playing. MDrummer will do his best to play along with you!
* Rhythm generator creates an entire rhythm containing grooves (alterations with different complexity levels) and hundreds of fills, intros and outros from just one groove base loop! This way you can always create the perfect rhythm track for your song. You create a single groove base loop which defines the general feel of your rhythm track (MDrummer makes this very easy to do). Then you select a few predefined settings, click the "Process" button, and that is it. In almost no time you will get exactly what you want! (Or maybe even something better...)
* Song structure system - now you can start without any MIDI commands at all. MDrummer provides a simple editor to construct your song structure which can then be used to drive MDrummer. Start MDrummer, load a drumset and rhythm and just like that, your drum track may already be finished! Using drag & drop, you can create a MIDI file containing commands for MDrummer, which you can then drop into your host sequencer to get more sequencing flexibility using our MIDI command system. As always, your song structures and layouts can be saved from within MDrummer.
* Incredibly simple and fast user interface. All controls in MDrummer are laid out so that you can easily configure everything as smoothly and quickly as possible. No confusing knobs and complicated layouts. You always see the exact value you are editing, and you can get help at any time by pressing F1 or clicking one of the "?" buttons found in each section of the interface.
* Save your own resources and organize them in folders for quick access in any project. (And we can even sell your data for you!) MDrummer lets you to store almost anything - drumsets, rhythms, drums, layers, loops and so on... It is not just a VST plug-in, it is a complete drumming studio!

Home Page - http://www.meldaproduction.com/

MeldaProduction MDrummer Large 3 STANDALONE VSTi 3.02 Update x86

MeldaProduction MDrummer Large 3 STANDALONE VSTi 3.02 Update x86 | 44 MB

MeldaProduction has finally created the total drum solution: MDrummer. MDrummer is a highly sophisticated percussion workstation which combines features of all of current products on the market into one single instrument. MDrummer is so splendid that we could talk about it for hours, but maybe it would be easier to try it out for yourself...

Now, let's highlight some of the more interesting features of MDrummer:

* VST plug-in & standalone application, incredible sound and rhythm systems provide everything you could ever need! Not just a sampler, not just a synthesizer, not just a loop player... It is more versatile than you could ever imagine! It can play acoustic jazz swing with brushes, bossa nova, pop, r'n'b, hip-hop, drum'n'bass... If you can imagine it, MDrummer can play it.
* Free drum VST plug-in - MDrummer S is a totally free version of MDrummer! It contains everything you need - the standalone application and VST plug-in compatible with most of the VST hosts such as Cubase, Nuendo, Cakewalk etc. You do not need to look for drum VST warez anymore, because this one is really free! Just download, install and enjoy the power of the MDrummer VST plug-in and standalone application.
* A huge library of resources is included, of course. This consists of 6GB in 500+ multisamples (Gretsch Birch and Sonor S-Class drumsets played with sticks, mallets, floppy, brushes and hands...), 150+ drumsets, 750+ drumset components to generate your own unique drumsets, 200+ rhythms, 100+ base-rhythms useful to help you generate your own unique rhythms, 12000+ loops (most of them recorded) useful to generate your own unique rhythms, Subsample libraries, samples, effect configurations, layers and much more...
* Updates and packages free for life - MDrummer downloads and installs updates and additional resources (samples, subsample libraries, rhythms, grooves...) for free! No more extension packs, we want our customers to be satisfied forever!
* Incredibly versatile sound system lets you tweek sounds using the most advanced tools available - plug-in based sound generators (several samplers and synthesizers) and effects (compressor, equalizer, limiter, analyzer, phaser, vibrato, tremolo...), an unlimited number of drum slots, velocity layers and effects...
Studio samples of drums and percussion? Of course.
Electronic sounds? Of course.
Something really original? Of course - just look at the features of MDrummer's sound generators...
* Drumset generator and merger can be used to generate an almost unlimited number of original drumsets in just a few clicks. If you do not want to waste your time with complicated sound configurations or just need some quick inspiration, this is simply the fastest way to get it done on a computer!

* You can generate more than 33 millions of millions of millions drumsets from ready-to-use drumset components included in the full version by pressing a single button. 16,500 of them will have unique bass and snare drum combinations. Really! It is that simple!
* Rhythm system (MRS) is a breakthrough in drumming technology. MDrummer rhythm system gives you power to create rhythm tracks in 2 minutes without limiting your creativity! Any style, any signature, any percussion instrument, strictly general MIDI compatible... And if you ever find that you are not satisfied, it takes just a few more clicks to change the rhythm throughout the entire song! Impossible? Not any more! No more MIDI files, grooves, loop collections...
* Plays groove, automatically inserts fills, and just works like a real drummer. And now you can jam with him! Give him the order to play and he will know what to do. You can practice jam with him, build rhythm tracks for your songs, or even use him instead of a real drummer, because he is at least as good as your current drummer! Connect your MIDI device, enable jamming mode and just start playing. MDrummer will do his best to play along with you!
* Rhythm generator creates an entire rhythm containing grooves (alterations with different complexity levels) and hundreds of fills, intros and outros from just one groove base loop! This way you can always create the perfect rhythm track for your song. You create a single groove base loop which defines the general feel of your rhythm track (MDrummer makes this very easy to do). Then you select a few predefined settings, click the "Process" button, and that is it. In almost no time you will get exactly what you want! (Or maybe even something better...)
* Song structure system - now you can start without any MIDI commands at all. MDrummer provides a simple editor to construct your song structure which can then be used to drive MDrummer. Start MDrummer, load a drumset and rhythm and just like that, your drum track may already be finished! Using drag & drop, you can create a MIDI file containing commands for MDrummer, which you can then drop into your host sequencer to get more sequencing flexibility using our MIDI command system. As always, your song structures and layouts can be saved from within MDrummer.
* Incredibly simple and fast user interface. All controls in MDrummer are laid out so that you can easily configure everything as smoothly and quickly as possible. No confusing knobs and complicated layouts. You always see the exact value you are editing, and you can get help at any time by pressing F1 or clicking one of the "?" buttons found in each section of the interface.
* Save your own resources and organize them in folders for quick access in any project. (And we can even sell your data for you!) MDrummer lets you to store almost anything - drumsets, rhythms, drums, layers, loops and so on... It is not just a VST plug-in, it is a complete drumming studio!

Home Page - http://www.meldaproduction.com/

GUITAR PRO 6 + New CRACK + RSE 2 + 156.000 TABS

GUITAR PRO 6 + New CRACK + RSE 2 + 156.000 TABS | 1.52 GB

Contents
1-RSE 2 (SoundBank)
2-Guitar Pro 6 Windows 7 Runner
3-Updated "Read Me" for the NEW Crack
4-Guitar Pro 6 Setup + NEW Crack
5-Guitar Pro 6 OLD Crack
6-Guitar Pro 6 Installation Video Turorial (for the OLD crack)
7-156.000 Tabs
All checked with Kaspersky and NOD32: completely virus and spyware free!! IF YOUR ANTIVIRUS FIND ANYTHING, IT'S JUST A FALSE POSITIVE (False positives occur when a pattern of code in the file matches the same pattern contained in a virus signature. This occurs due to a faulty signature). BE SURE IT'S COMPLETELY VIRUS FREE!! GUARANTEED BY THE 200 PAGES OF REPLIES Wink .

INTERFACE
An optimal display of your score, together with all the tools you need for editing, sound-setting, and playing your instrument.

Choose your display options from the screen or page mode, horizontal or vertical scrolling, monotrack, multitrack, and full-screen mode, and 25-800% zooming.
The score appears with 6 retractable panels to its left:
Editing, Instrument, Audio, Mastering, Chords, and Lyrics.

EDITING
All of the tools you need to create and edit scores, right at hand. Quickly and easily capture the notes with the keyboard and its many shortcuts, with the mouse, or yet again with a MIDI instrument.

All of the symbols and effects
With Guitar Pro, add all of the common musical symbols to your score, most notable those that are specific to the guitar and other fretted instruments.

Customize your score
Based on the classic or jazz styles, you can set 70 different parameters, configure the outlook of your scores exactly as you wish, and get professional-level paper printouts.

Tablature and standard notation
Both types of notation are perfectly synchronized: the notes capture into one get immediately reported into the other.

Summary of the notation elements
Dynamic, grace note, staccato, fade in, left-hand and right-hand fingering, brush, pick strokes, ghost note, accented notes, muffled note, let ring, harmonics, tapping, slap, hammer-on / pull-off, bend, tremolo bar, slides, vibrato, wide vibrato, trill, tremolo picking, palm mute, multirests, double dotting, n-tuplets, fermata, double accidentals, left-hand tapping, rasgueado, arpeggio, rythmic « slash » notation, ornaments, extended barré…; and of course texts, lyrics, chord diagrams...

AUDIO
Guitar Pro is also a powerful score player, which facilitates composing or learning a piece.

The RSE: realistic audio playback
The RSE (Realistic Sound Engine) technology includes the realistic studio recordings of instruments, as well as some effect modelisations that are the result of years of research.
You'll get access to over a hundred soundbanks, and over fifty effects pedals and amps. We provide many presets for all styles, and you can also configure your own effect chains. You can apply a mastering to the final result, with a compressor-limiter, a reverb, and a 10-track equalizer.
You can also listen to your scores in MIDI sound.

http://www.guitar-pro.com/media/video/speedtrainer.mov

Optimized playback options
During playback, the score automatically scrolls on and a highlighted cursor lets you know which note is being played. You can adjust tempo, and play all or part of a piece in loops. The Speed Trainer will then let you play any section of the score in loops with progressive accelerations. This is very useful to practice a solo or a complex guitar riff!
All of the effects specific to the guitar (e.g., bend, slide, ghost notes, etc.) are rendered into the playback, as well as the various possible playing styles – pickstroking, fingerpicking or slapping, for instance.
Select one of the built-in presets, or customize your own effect chain (stompboxes, amps, racks) for each track

Improved Management of Automations
In a new window, you can customize precisely the changes of volume, tempo, and panoramic during playback.

Soundboard, global view
For each track, the Guitar Pro Soundboard lets you adjust the volume, the panoramic, and the semi-parametric equalizer.
You can also use it to mute one or several tracks, and choose to show or hide them. An ideal tool when you want to use Guitar Pro as backing band.

TOOLS
Guitar Pro is a true workshop for guitarists: chord and scale libraries, tuner, metronom, virtual fretboard and keyboard.
All of those tools work with fretted instruments from 4 to 8 strings.

Diagram generator
Request any chord in any tuning, and Guitar pro will display all possible finger positions for you. Draw a diagram by clicking on the grid, and Guitar Pro will suggest all possible names for that chord.

Scale engine
The scale engine presents a large directory of scales, from the most common to the most exotic, for you to look at and listen to. Whichever scale you select can be shown on the fretboard or keyboard to work as support for you to write your score. The search function also allows you to quickly find out what scale is being used in all or part of the score.

MIDI and digital tuners
The digital tuner allows you to tune your guitar by plugging it into the soundcard, or via a microphone. You can also simply tune your guitar by ear, string by string, with the MIDI tuner.
Those work for all possible tunings.

Virtual fretboard and keyboard
The virtual fretboard and keyboard are here to help you see the notes from the score, or capture them into it. They can show you the notes of the current beat, as well as the notes of the next beat, of the whole bar or yet again of the scale you have selected. Those are indispensable tools if you are beginning or is you wish to capture notes with the mouse.

SHARE
Since the Guitar Pro format has become a true standard on the Internet, the software will let you enjoy thousands of scores that are already available over many websites (files in *.gtp, *.gp3, *.gp4, *.gp5 and *.gpx formats).

* MIDI Import/Export
A MIDI file consistes in a mere description of musical data, which Guitar Pro turns into an actual multitrack tablature. The software calculates and optimizes the position of each note on the fretboard for you to play it as easily as possible. You can also export the tablature as a MIDI file for use in another software.
* ASCII Import/Export
The ASCII format — or simple text file — was the first format used for the sharing of tablatures. It is so easy to use via a mere text editor that it is still widely used today, in spite of its outdated look. Guitar Pro will let you convert ASCII files into tablatures in one click, to play them or print them out. The reverse option is also possible.
* WAV Export
With the WAV Export option, you can convert a Guitar Pro file into an audio file, which you can play or burn onto an audio CD.
* PNG Export
Exporting into PNG (image) will let you save your tablatures as big-sized pictures. Those pictures can for instance be integrated into a webpage for wider diffusion, or edited with the appropriate software for pedagogical purposes.
* PDF Export
The PDF format is standard when you wish to distribute your scores.

GUITAR PRO 6 + New CRACK + RSE 2 + 156.000 TABS

GUITAR PRO 6 + New CRACK + RSE 2 + 156.000 TABS | 1.52 GB

Contents
1-RSE 2 (SoundBank)
2-Guitar Pro 6 Windows 7 Runner
3-Updated "Read Me" for the NEW Crack
4-Guitar Pro 6 Setup + NEW Crack
5-Guitar Pro 6 OLD Crack
6-Guitar Pro 6 Installation Video Turorial (for the OLD crack)
7-156.000 Tabs
All checked with Kaspersky and NOD32: completely virus and spyware free!! IF YOUR ANTIVIRUS FIND ANYTHING, IT'S JUST A FALSE POSITIVE (False positives occur when a pattern of code in the file matches the same pattern contained in a virus signature. This occurs due to a faulty signature). BE SURE IT'S COMPLETELY VIRUS FREE!! GUARANTEED BY THE 200 PAGES OF REPLIES Wink .

INTERFACE
An optimal display of your score, together with all the tools you need for editing, sound-setting, and playing your instrument.

Choose your display options from the screen or page mode, horizontal or vertical scrolling, monotrack, multitrack, and full-screen mode, and 25-800% zooming.
The score appears with 6 retractable panels to its left:
Editing, Instrument, Audio, Mastering, Chords, and Lyrics.

EDITING
All of the tools you need to create and edit scores, right at hand. Quickly and easily capture the notes with the keyboard and its many shortcuts, with the mouse, or yet again with a MIDI instrument.

All of the symbols and effects
With Guitar Pro, add all of the common musical symbols to your score, most notable those that are specific to the guitar and other fretted instruments.

Customize your score
Based on the classic or jazz styles, you can set 70 different parameters, configure the outlook of your scores exactly as you wish, and get professional-level paper printouts.

Tablature and standard notation
Both types of notation are perfectly synchronized: the notes capture into one get immediately reported into the other.

Summary of the notation elements
Dynamic, grace note, staccato, fade in, left-hand and right-hand fingering, brush, pick strokes, ghost note, accented notes, muffled note, let ring, harmonics, tapping, slap, hammer-on / pull-off, bend, tremolo bar, slides, vibrato, wide vibrato, trill, tremolo picking, palm mute, multirests, double dotting, n-tuplets, fermata, double accidentals, left-hand tapping, rasgueado, arpeggio, rythmic « slash » notation, ornaments, extended barré…; and of course texts, lyrics, chord diagrams...

AUDIO
Guitar Pro is also a powerful score player, which facilitates composing or learning a piece.

The RSE: realistic audio playback
The RSE (Realistic Sound Engine) technology includes the realistic studio recordings of instruments, as well as some effect modelisations that are the result of years of research.
You'll get access to over a hundred soundbanks, and over fifty effects pedals and amps. We provide many presets for all styles, and you can also configure your own effect chains. You can apply a mastering to the final result, with a compressor-limiter, a reverb, and a 10-track equalizer.
You can also listen to your scores in MIDI sound.

http://www.guitar-pro.com/media/video/speedtrainer.mov

Optimized playback options
During playback, the score automatically scrolls on and a highlighted cursor lets you know which note is being played. You can adjust tempo, and play all or part of a piece in loops. The Speed Trainer will then let you play any section of the score in loops with progressive accelerations. This is very useful to practice a solo or a complex guitar riff!
All of the effects specific to the guitar (e.g., bend, slide, ghost notes, etc.) are rendered into the playback, as well as the various possible playing styles – pickstroking, fingerpicking or slapping, for instance.
Select one of the built-in presets, or customize your own effect chain (stompboxes, amps, racks) for each track

Improved Management of Automations
In a new window, you can customize precisely the changes of volume, tempo, and panoramic during playback.

Soundboard, global view
For each track, the Guitar Pro Soundboard lets you adjust the volume, the panoramic, and the semi-parametric equalizer.
You can also use it to mute one or several tracks, and choose to show or hide them. An ideal tool when you want to use Guitar Pro as backing band.

TOOLS
Guitar Pro is a true workshop for guitarists: chord and scale libraries, tuner, metronom, virtual fretboard and keyboard.
All of those tools work with fretted instruments from 4 to 8 strings.

Diagram generator
Request any chord in any tuning, and Guitar pro will display all possible finger positions for you. Draw a diagram by clicking on the grid, and Guitar Pro will suggest all possible names for that chord.

Scale engine
The scale engine presents a large directory of scales, from the most common to the most exotic, for you to look at and listen to. Whichever scale you select can be shown on the fretboard or keyboard to work as support for you to write your score. The search function also allows you to quickly find out what scale is being used in all or part of the score.

MIDI and digital tuners
The digital tuner allows you to tune your guitar by plugging it into the soundcard, or via a microphone. You can also simply tune your guitar by ear, string by string, with the MIDI tuner.
Those work for all possible tunings.

Virtual fretboard and keyboard
The virtual fretboard and keyboard are here to help you see the notes from the score, or capture them into it. They can show you the notes of the current beat, as well as the notes of the next beat, of the whole bar or yet again of the scale you have selected. Those are indispensable tools if you are beginning or is you wish to capture notes with the mouse.

SHARE
Since the Guitar Pro format has become a true standard on the Internet, the software will let you enjoy thousands of scores that are already available over many websites (files in *.gtp, *.gp3, *.gp4, *.gp5 and *.gpx formats).

* MIDI Import/Export
A MIDI file consistes in a mere description of musical data, which Guitar Pro turns into an actual multitrack tablature. The software calculates and optimizes the position of each note on the fretboard for you to play it as easily as possible. You can also export the tablature as a MIDI file for use in another software.
* ASCII Import/Export
The ASCII format — or simple text file — was the first format used for the sharing of tablatures. It is so easy to use via a mere text editor that it is still widely used today, in spite of its outdated look. Guitar Pro will let you convert ASCII files into tablatures in one click, to play them or print them out. The reverse option is also possible.
* WAV Export
With the WAV Export option, you can convert a Guitar Pro file into an audio file, which you can play or burn onto an audio CD.
* PNG Export
Exporting into PNG (image) will let you save your tablatures as big-sized pictures. Those pictures can for instance be integrated into a webpage for wider diffusion, or edited with the appropriate software for pedagogical purposes.
* PDF Export
The PDF format is standard when you wish to distribute your scores.